Academy Awards

5th Academy Awards

November 18, 1932Ambassador HotelFilms from 1931–193215 categories
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Best Picture Winner

Grand Hotel

Grand Hotel

Best Picture

Director: Edmund Goulding

Studio: Metro-Goldwyn-Mayer

A group of disparate people stay at a luxurious Berlin hotel, and their lives intertwine in unexpected ways.

From the Worthy Podcast

The Celebrity (Power as an insider and outsider and how that relates to Grand Hotel and multi-narrative filmmaking)

Hollywood Melodramas

The Importance of Casting the Cast and then that Ensemble Cast working (also it being not valued by the Academy)

Celebrity: Power as an insider and outsider

MGM once promoted this film as “the greatest cast ever assembled”. No it wasn’t an Avengers movie, It’s A Mad Mad Mad Mad World, or Ocean’s 11 or 12 or 13 or 8. It was the Best Picture winner of 1931/32, Grand Hotel. The attraction of the celebrity in Hollywood was the biggest ploy to get audiences to see this film. Faces sell and Hollywood continues to grow as the stars become marketing tools. Going to the cinema becomes more than just watching a story take place. The celebrity embodies the character and presents it to the audience in order to establish a connection. The celebrity is important for pop culture because they can represent fashion, cultural/political views, and at times encompass a general feeling within these high-priced dramas. These representative feelings or characterizations are relatable to a general audience. The layered entertainment is a tool for the audience to engage intensely or minutely with the story. Melodramatic stories are perfect for general audiences because that particular story can connect at an emotional-human level. The exaggerated moments and emotions in these films help celebrities because we are now identifying the entertainment with a face. That face now speaks for their character on screen as well as the off screen character that everyone gets to consume. This elevates the celebrities status and then puts them into more films for us to consume. It’s just the Hollywood Circle of Life.

When done right it can be an enjoyable watch that makes you grow fond of a film. So fond of a film that you award it Best Picture.

All Categories (15)

Actor

Wallace Beery— The Champ {"Champ"}
Winner
A tie. Mr. Beery had one vote less than Fredric March (Dr. Jekyll and Mr. Hyde), and rules at the time stated that if any achievement came within three votes of the First Award, it would be considered a tie.
Alfred Lunt— The Guardsman {"The Actor"}
Fredric March— Dr. Jekyll and Mr. Hyde {"Dr. Henry Jekyll/Mr. Hyde"}
A tie. Wallace Beery (The Champ) had one vote less than Mr. March, and rules at the time stated that if any achievement came within three votes of the First Award, it would be considered a tie.

Actress

Helen Hayes— The Sin of Madelon Claudet {"Madelon"}
Winner
Lynn Fontanne— The Guardsman {"The Actress"}
Marie Dressler— Emma {"Emma"}

Directing

Bad Girl— Frank Borzage
Winner
Shanghai Express— Josef Von Sternberg
The Champ— King Vidor

Writing (Adapted Screenplay)

Bad Girl— Edwin Burke
Winner
Arrowsmith— Sidney Howard
Dr. Jekyll and Mr. Hyde— Percy Heath, Samuel Hoffenstein

Writing (Original Story)

The Champ— Frances Marion
Winner
Lady and Gent— Grover Jones, William Slavens McNutt
The Star Witness— Lucien Hubbard
What Price Hollywood?— Adela Rogers St. Johns, Jane Murfin

Cinematography

Shanghai Express— Lee Garmes
Winner
Arrowsmith— Ray June
Dr. Jekyll and Mr. Hyde— Karl Struss

Art Direction

Transatlantic— Gordon Wiles
Winner
Arrowsmith— Richard Day
À Nous la Liberté— Lazare Meerson

Sound Recording

Paramount Publix Studio Sound Department
Winner
This award was not associated with any specific film title.
Metro-Goldwyn-Mayer Studio Sound Department
This nomination was not associated with any specific film title.
RKO Radio Studio Sound Department
This nomination was not associated with any specific film title.
Warner Bros.-First National Studio Sound Department
This nomination was not associated with any specific film title.

Special Award

To Walt Disney for the creation of "Mickey Mouse."
Winner

Scientific Or Technical Award (Class II)

To TECHNICOLOR MOTION PICTURE CORP. for its color cartoon process. [Cartoon Process]
Winner

Scientific Or Technical Award (Class III)

To EASTMAN KODAK COMPANY for its Type II-B Sensitometer. [Laboratory]
Winner

Outstanding Production

Grand Hotel— Metro-Goldwyn-Mayer
Winner
Arrowsmith— Samuel Goldwyn Productions
Bad Girl— Fox
Five Star Final— First National
One Hour with You— Paramount Publix
Shanghai Express— Paramount Publix
The Champ— Metro-Goldwyn-Mayer
The Smiling Lieutenant— Paramount Publix

Short Subject (Cartoon)

Flowers and Trees— Walt Disney, Producer
Winner
It's Got Me Again— Leon Schlesinger, Producer
Mickey's Orphans— Walt Disney, Producer

Short Subject (Comedy)

The Music Box— Hal Roach, Producer
Winner
Scratch-As-Catch-Can— RKO Radio
Stout Hearts and Willing Hands— RKO Radio
THIS IS NOT AN OFFICIAL NOMINATION. Originally announced as one of the nominees in this category, but before the final voting was done, this film was disqualified and was replaced by another RKO Radio short, Scratch-As-Catch-Can. No documentation has been found as to why this film was disqualified.
The Loud Mouth— Mack Sennett, Producer

Short Subject (Novelty)

Wrestling Swordfish— Mack Sennett, Producer
Winner
Screen Souvenirs— Paramount Publix
Swing High— Metro-Goldwyn-Mayer
WorthyWorthy

The breakdown of every Best Picture winner from past to present.

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